The starting point for Musical Futures was to try to understand the factors affecting the disengagement of young people with sustained music-making activities, at a time in their lives when we know music is not only a passion for many young people, but plays a big part in shaping their social identity.
Following a year of consultation in 2003, the Paul Hamlyn Foundation identified the following objectives:

  • To understand the factors affecting young people’s commitment to, and sustained engagement in, musical participation

  • To develop ways in which the diverse musical needs of young people can be met and their experience of music making enhanced

  • To realise viable, sustainable and transferable models which can support a national strategy for music and young people

  • To investigate, and make recommendations on, the most appropriate methods of mentoring and supporting young people’s preferences and skills

  • To find ways of validating and (where appropriate) accrediting all forms of young people’s musical experiences, including those undertaken without supervision

  • To facilitate support for music trainees, leaders, teachers and performers/composers through the provision of development opportunities which highlight collaborative working practices
 
 
Musical Futures' first pamphlet introduces the project's aim...
Personalising Music Learning has become a key theme of Music...
The final pamphlet in the series presents the key findings a...
In Your Hands Southbank event
In June 2008 the Paul Hamlyn Foundation hosted a celebratory...
 
 
After inviting applications from consortia of local music education providers, three Pathfinder Local Authority Music Services – in Leeds, Nottingham and Hertfordshire - were commissioned to explore new approaches and structures which might ensure that more young people participate in better quality musical experiences for longer.

The following two years involved Pathfinder action research projects, where teams in Leeds, Nottingham and Hertfordshire trialled a number of learning models to find ways of engaging all young people in music-making activities, both in and out of school. The pathfinders were Music Services working in partnership with young people, schools, universities, professional music organisations and community music organisations. Alongside this a number of research and development projects were commissioned.

As the consultations with young people in the pathfinder regions began, it became clear that pathfinders needed to find different responses to young people's enthusiasms and ambitions in their music-making. Two characterstics soon became apparent in their strategies: each felt it important to informalise the way music is often taught, and to personalise the nature of the opportunities on offer.

Five core areas of enquiry emerged, which were key to understand how young people's experiences of music-making could be transformed:

Transforming Musical leadership

Personalising Music Learning

Supporting Young Musicians

Coordinating Musical Pathways

Redefining Music Training

Download our series of pamphlets for the full background and philosophy of Musical Futures as it developed.

 

 
 
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Morpeth School
Morpeth School in Bethnal Green, East London started explori...
 
 
Muscial Futures